Tuesday, 15 March 2011

Moviestorm in Education - Long Road 6th Form College


Here's Amos's very positve article posted on the Moviestorm Development blog yesterday about the excellent Moviestorm workshop run last Friday by with Alex....

At the end of last week, Alex and I had the pleasure of going into Long Road Sixth Form College, Cambridge to show some of the L2 students how to use Moviestorm for an upcoming project that they have to complete as part of their Media Studies course.


As we had the opportunity to spend most of the day with the class, Alex introduced the students to the Set Workshop view in the first session and then we answered a few questions while they practised making their own sets within Moviestorm. We had just enough time to demonstrate the Dressing Room and Directors View before lunch, and finished the day with the Camera Workshop View and Cutting Room. The students picked up the software very quickly and were able to start assembling scenes in a very short time (despite a couple of hardware issues that we have brought back to the dev team to find solutions for), and seemed comfortable finding solutions to their problems between them when they got stuck. Seeing their progress was a testament to their computer skills, and also reinforced our beliefs that most people can get a project up and running in Moviestorm within a day, even if they are new to the software.

We'd like to thank Steven Thorne at Long Road Sixth Form College for allowing us to come in and demonstrate Moviestorm, and to the students for being so receptive. We look forward to returning and seeing your movies in a few weeks' time!

Friday, 11 March 2011

MOVIESTORM SESSION


THIS SESSION WILL NOW RUN AT 10.50 AM, ON FRIDAY 11th MARCH.

Moviestorm enables you to create animated movies, using machinima technology. It takes the you from initial concept to finished, distributed movies.

Sets and characters can be created and customised, and scenes can be filmed using multiple cameras.


Thursday, 10 March 2011

CONTACT SHEETS


Contact sheets are ideal for laying out your images on a page and allow you to view them side by side in order to make comparisons.

Contact prints were originally created in the darkroom by placing negatives on top of developing paper then exposing them to light from the enlarger above. The photographer could then view individual thumbnails of each image and decide which ones to go ahead and print.



CLICK ON IMAGE TO ENLARGE

Create CONTACT SHEETS of all your photographs
Upload the contact sheets to FLICKR

In Photoshop MAIN MENU > FILE > AUTOMATE > CONTACT SHEET II


CLICK HERE for a demonstration video I found on the internet.

Thursday, 3 March 2011

PHOTOGRAPHER CASE STUDY 3: Henri Cartier-Bresson


Henri Cartier-Bresson
PHOTOGRAPHER CASE STUDY 3


Henri Cartier-Bresson will be your third and final PHOTOGRAPHER CASE STUDY

1. Write a short biography about the photographer.
(early life/career etc.)

2. Describe the visual style of Henri Cartier-Bresson.

3. Then choose THREE Photographs produced by Henri Cartier-Bresson.
- add the photograph (it needs to be a large image).
- add the details (title, date, size & materials) of the photograph.
- write a short analysis of the photograph.

YOU MUST WRITE DOWN ALL YOUR SOURCES
Make a list of all the URLs you used with the research.

Friday, 18 February 2011

PHOTOGRAPHER CASE STUDY 2


PHOTOGRAPHER CASE STUDY 2

Choose between Jane Bown or Arnold Newman for your second PHOTOGRAPHER CASE STUDY
- Use the links in the previous blog posts to start your research.


1. Write a short biography about the photographer
(colleges/career etc.)

2. Describe the visual style of the photographer.

3. Then choose THREE Photographs produced by the photographer.
- add the photograph (it needs to be a large image).
- add the details (title, date, size & materials) of the photograph.
- write a short analysis of the photograph.

YOU MUST WRITE DOWN ALL YOUR SOURCES
Make a list of all the URLs you used with the research.

Portrait Photography Techniques

Thursday, 17 February 2011

PORTRAIT PHOTOGRAPHY: Arnold Newman


CLICK ON IMAGE TO ENLARGE

CLICK HERE - Arnold Newman - THE PORTRAITS

The complete Jane Bown: a lifetime in photographs



The Observer published its first Jane Bown photograph in December 1949, initiating a romance between Britain's oldest Sunday paper and one of the country's best-loved photographers.

To coincide with the publication of Bown's definitive collection, Exposures, The Observer brought together all of Bown's work into this interactive guide.

Click HERE to scroll through, decade by decade, and view the images in full-screen format.

PORTRAIT PHOTOGRAPHY: Jane Bown

THE EXPOSURE TRIANGLE


CLICK ON IMAGE TO ENLARGE

Tuesday, 15 February 2011

Ovation TV | Close Up: Gregory Crewdson

Narrative Photography/PHOTOGRAPHER CASE STUDY 1



1. Explain what is narrative photography

2. Write a short paragraph about the early history of 'staged' photography.
(see keynote)

----------------------------------------------------
PHOTOGRAPHER CASE STUDY 1

from the list below choose ONE photographer:

JEFF WALL
(Link 1 / Link 2)
GREGORY CREWDSON (Link 1 / Link 2)
CINDY SHERMAN
(Link 1 / Link 2)
SANDY SKOGLUND (Link 1 / Link 2)

1. Write a short biography about the photographer
(colleges/career etc.)

2. Describe the visual style of the photographer.

3. Then choose THREE Photographs produced by the photographer.
- add the photograph (it needs to be a large image).
- add the details (title, date, size & materials) of the photograph.
- write a short analysis of the photograph.

YOU MUST WRITE DOWN ALL YOUR SOURCES
Make a list of all the URLs you used with the research.

Narrative Photography



Photographs that tell a story.

How do you create a narrative within a photograph?

- use of characters
- use of props / objects / symbols
- use of lighting
- use of settings
- use of framing

Signifier + a sign that conveys meaning to the viewer.

Friday, 11 February 2011

Wednesday, 9 February 2011

UNIT 3 - ASSESSMENT OBJECTIVE 4: PRODUCTION REPORT


CLICK ON THE IMAGE TO ENLARGE

Write a review of the production process and end sequence.

(Word Document – Write in full paragraphs using technical terms and illustrate your report with images and screen-grabs)

Thursday, 3 February 2011

THE FILM CREW


CLICK ON IMAGE TO ENLARGE

Wednesday, 2 February 2011

END SEQUENCE PRODUCTION TIMELINE



CLICK ON IMAGE TO ENLARGE